fronting

• EDITOR’S LETTER by Masoud Golsorkhi
• TROUBLE: Adam Broomberg and Oliver Chanarin
• AES+F: “A New Eden in which the Chinese cooks are not in the kitchen”
• AI WEIWEI: “I have never believed in the future”
• CAI GUO QIANG: “The city of Beijing will certainly form the outlook of my next 10 years”
• CARLOS AMORALES: “I chose to work in the field of fantasy rather than reality”
• CHRISTIAN LACROIX: “The connection between classical painting and contemporary art has been the most nurturing of foods”
• EYAL WEIZMAN: “What kind of urbanism would it be if we sought to affect only those first 10 centimetres?”
• FRANÇOIS ROCHE: “The witch hidden in the ghost house of my past 10 years shall form the outlook of my next 10”
• FRIDA GIANNINI: “Listening to music on a CD or computer is more practical, but on vinyl the songs sound more genuine and bring back memories more vividly”
• ILYA AND EMILIA KABAKOV: “How can we explain the magic in only a few words”
• JEPP HEIN: “Connecting people, art and social life will gain even more importance in the future”
• JOHN GALLIANO: “Ten years can seem like a lifetime or only a fleeting moment”
• KEVIN CARRIGAN: “The medium of communication, or the process of transferring information”
• LINDER STERLING: “We discovered the cut, the mark, the glue, the photocopier, and then we all gave birth to ourselves”
• LIZ BOUGATSOS: lead singer of Gang Gang Dance
• MARTINO GAMPER: “The possibility of being able to work with your friends is for me the most significant thing about the future”
• MAURIZIO CATTELAN: he never lost a chess match
• PHILIPPE RAHM: architecture can no longer build spaces
• RAQS MEDIA COLLECTIVE AND KD VYAS: fabulous stories of haunted warriors
• ROEMER VAN THOORN: reality demands a theory
• RYAN GANDER: “Cash Rules Everything Around Me – C.R.E.A.M., get the money, dollar, dollar bill y’all”—Wu-Tang Clan
• SANAA: the Tokyo-based architectural practice
• SHUBHANKAR RAY: “I am English first, but always Indian”
• STEPHEN GILL: “Learn to live in the present; it will do wonderful things for your eyes.”
• STEPHEN JONES: “Infinity has always been such a potent symbol to me”
• THOMAS HIRSCHHORN: “Creating a collage means creating a new world”
• TOM MCCARTHY: the significance of vapour trails