TANK MAGAZINE | Epoch Issue, 2018 | Issue 76 | BUY THIS ISSUE
front
- YES? by Masoud Golsorkhi
- UNDER THE INFLUENCE by Caroline Issa
- TANK YOU, COME AGAIN: merch madness. Photography by Sohrab Golsorkhi-Ainslie, styling by Alice Ray
- KISSY FACE: the art of lipstick. Artwork by Freya E. Morris
- SCENTS OF TIME: amaranthine delights from Alexander McQueen
- PRECIOUS ONES: the finest jewellery of the season. Photography by Ulrike Rindermann, styling by Grace Alexander
- SPORTMAX: clean lines sharp edges. Photography by Paolo Barbi, styling by Luca Balzarini and Andrea Volonté
- BRIGHT YOUNG THINGS: photography and styling by Sarah Khamisi
- STEP IT UP: the most elegant styles of Autumn/Winter 2018, elevated. Photography by Sergiy Barchuk, styling by Sissy Sainte-Marie
features
- WHAT KIND OF TIME DO YOU CALL THIS by Axis Mundi
- RED ALERT photography by Marc Hibbert, styling by Benoît Bèthume
- SHALLOW TIME by Will Wiles
- FLASH FICTION by Lynne Tillman
- TRUST GAMES photography by Boris Camaca, styling by Hamish Wirgman
- MUSIC FOR CAR ALARMS (1998–2008) by Benjamin H. Bratton
- DEVIL’S TUNES by Ella Plevin and Benjamin Filby
- NOW AND THEN by Tom Morton
- PITCH IT TO ME by Natasha Stallard
- FIERCE JOY by Christabel Stewart
- ORDER & CHAOS by Martha Henriques
- OPEN CITY: photography by Devin Blair, styling by Ruth Higginbotham
- LIVING WITH BUILDINGS by Emily Sargent
- FEVER DREAMS photography by CG Watknins, styling by Nobuko Tannawa
- VICTOR BURGIN: ON APPARATUS by Thomas Roueché
- FIGURE EIGHT by Dena Yago
- AFTER DARK photography by Rob Kulisek, styling by David Lieske
- HAVE YOU EVER QUESTIONED THE NATURE OF YOUR REALITY? by Philippa Snow
- HELL FOR LEATHER photography by Anthony Seklaoui, styling by Bobby Hook
- LESS BULLSHIT PLEASE by Jan-Peter Westad
- A WRITER IN RESIDENCE: SUZY HANSEN by Masoud Golsorkhi
- AQUATIC APES by Peter Lyle
- THE SEVEN WORKS OF MERCY photography by Hellen van Meene
talks
- ANDREAS LAEUFER: “We didn't want to be confined to an established grid like other magazines”
- VAHNI CAPILDEO: “This country has a particular heritage where a particular sort of person is imagined as the poet”
- DUANE MICHALS: “If it squawks like a photograph and walks like a photograph, it is a fucking photograph”
- ISABEL LEWIS: “Human obsolescence is the perfect get-out-of-jail-free card”
- JAMES LUCAS: “Making films is kind of like partaking in the dark arts”
- REMO RUFFINI: “Moncler is continuously evolving, while keeping its roots alive”
- SAMIR HUSNI: “A magazine reflects the society we live in like nothing else”
- MALCOLM HARRIS: “I have no interest in laziness”
- NICOLE ARAGI: “I don't like most of the terms used to define or divide writers”
- DUNYA MIKHAIL: “The men of Daesh call the captured women sex slaves, while Abdullah calls them queen bees”
- MIRROR MIRROR: Hamishi Farah
