TANK MAGAZINE | Travel Issue, 2021 | Issue 89 | BUY THIS ISSUE
front
- ST ELSEWHERE: the age of globalisation and the desire for an elsewhere. By Masoud Golsorkhi
- ALONG THE NIGHT: photography by Sohrab Golsorkhi-Ainslie, styling by Caroline Issa
- MARBLE VISION: photography by Sergiy Barchuk, styling by Angela Witmore
- SOUVENIRS: photography by Florent Tanet, styling by Veerle Formannoij
- FRESH MOVES: photography by Alexander Coggin, styling by Gabriella Rowland
- GLOBAL COSY: photography by Florent Tanet, styling by Veerle Formannoij
- THE ULTIMATE ICON: photography by Sohrab Golsorkhi-Ainslie
- Marsell
features
- SWISS MADE: searching for the essence of Swissness in Lausanne. Text by Matthew Janney
- THE PARTY LINE: Ieva Raudsepa on board the Riga-Stockholm ferry
- OF SOUND MIND: Guy Mackinnon-Little on AirPods, archeaoacoustics and audio geography
- NEVER LET THE LIGHT COME: Chuquimamani Condori and Joshua Chuquimia’s twilight ceremonies
- PARIS NEXUS: photography by Noel Quintela, styling by Elena Mottola
- PARTNERSHIP BEFORE SEXISM AND WAR: Tao Lin on the ancient descent into dominator culture
- SO NEUF: selected spreads from the revolutionary periodical of the French avant-garde
- BOOK OF DUST: Tianzhuo Chen glimpses extinction on the Tibetan Plateau
- GLOBAL HEAT MAP: sensing catastrophe with Richard Mosse
- THE BOOK OF VELES: Jonas Bendiksen forges a deepfake mythology in North Macedonia
- THIS ISLAND NATION: Louis Rogers considers the lobster in Weymouth
- KISS THE WING: the secretive operations of the Order of the Third Bird
- DESTINY’S CHILD: Destiny Deacon’s tragicomic confrontation with Australian settler colonialism
- IN AN ORDINARY DAY: Elsa & Johanna meld the mundane and the remarkable in Moormerland
- TERMINAL EUROPE: Christabel Stewart reflects on our destabilised present via Santander, Basel and Seoul
- THE GUCCI-VERSE: photography by Hubert Crabières, styling by Riccardo Linarello
talks
- FINTAN O'TOOLE: “Conventional history has to talk about what we know, and I was more interested in talking about what we knew but didn’t know”
- CARLOS MOTTA: “At the heart of these projects has been my intention to show how history renders things non-existent”
- JENNIFER CROFT: “When I found out that there were other languages besides English, I was absolutely thrilled”
- MARIA FUSCO: “I don’t really enjoy the writing process, but one thing I do really like about writing is the economy of how it just requires time and a page or screen”
- PETRIT HALILAJ: “The more you try to see a complete picture the more it’s bombed by flashes of visions”
- OLY DUROSE: “We need to treat suburban organisation as a form of industrial organisation, something that’s worthwhile in its own right”
- FLORA YIN-WONG: “We do fear the unknown and try to anticipate unseen enemies, but I think we can also find comfort in ambiguity”
- JONAS BENDIKSEN: “What I wasn’t prepared for was the extent to which we see what we want to see”
- AMBER HUSAIN: “Love both can involve and enhance the solidarity that comes from being on the same side of a struggle”
