TANK MAGAZINE | Books issue, 2022 | Issue 91 | BUY THIS ISSUE
front
- EDITOR'S LETTER: sunset of the age of the image
- KINDLE SURPRISE: photography by Sohrab Golsorkhi-Ainslie, styling by Caroline Issa
- SHADES OF GLOSS: photography by Tais Sirote, styling by Veerle Formannoij
- HARD COLOUR TENDENCY: photography by Olivia Nnené Ezechukwu, make-up by Victoria Bond
- ALL THE TREASURES: photography by Catharina Pavitschitz, styling by Toni Caroline
- THE HAND, THE BAG: photography by Tais Sirote, styling by Veerle Formannoij
- SUMMER SWEETENER: photography by Ronni Campana, styling by Riccardo Linarello
books
- SCATTERED ALL OVER THE EARTH by Yoko Tawada; translated by Margaret Mitsutani
- CURSED BUNNY by Bora Chung; translated by Anton Hur
- ORGANIC MUSIC SOCIETIES edited by Lawrence Kumpf with Naima Karlsson and Magnus Nygren
- LUCKY BREAKS by Yevgenia Belorusets; translated by Eugene Ostashevsky
- SIGHTSEEING by Sverre Strandberg
- PURE COLOUR by Sheila Heti
- SHAME SPACE by Martine Syms
- PARADAIS by Fernanda Melchor; translated by Sophie Hughes
- STRANGE BEASTS OF CHINA by Yan Ge
- GRAVITY BEGINS AT HOME by Guy Bolongaro
- AN I-NOVEL by Minae Mizumura; translated by Juliet Winters Carpenter
- AWAKE by Harald Voetmann; translated by Johanne Sorgenfri Ottosen
- AUTOPORTRAIT by Samuel Fosso
- WHISPER by Chang Yu-Ko; translated by Roddy Flagg
- H OF H PLAYBOOK by Anne Carson
- TO THE WARM HORIZON by Choi Jin-Young; translated by Soje
- ZAKIR HUSSAIN MAQUETTE by Dayanita Singh
- TOWER by Bae Myung-hoon; translated by Sung Ryu
- FUTURE MEMORIES by Taiyo Onorato and Nico Krebs
- THE WATER STATUES by Fleur Jaeggy; translated by Gini Alhadeff
- SOUR SUN by Minh Ngoc Nguyen
- STORYBOOK: THE FAMOUS MAGICIAN by César Aira; translated by Chris Andrews
- STORYBOOK: EARLY LIGHT by Osamu Dazai; translated by Ralph McCarthy and Donald Keene
- STORYBOOK: THE ENGLISH UNDERSTAND WOOL by Helen DeWitt
- STORYBOOK: THE WOMAN WHO KILLED THE FISH by Clarice Lispector; translated by Benjamin Moser
- STORYBOOK: SPADEWORK FOR A PALACE by László Krasznahorkai; translated by John Batki
- STORYBOOK: THREE STREETS by Yoko Tawada; translated by Margaret Mitsutani
- FRAUEN BEI DER ARBEIT by Helga Paris
- AFTERMATH by Preti Taneja
- ASTRAL SEASON, BEASTLY SEASON by Tahi Saihate; translated by Kalau Almony
- MATERIAL by Jet Swan
- THE CABINET by Un-su Kim; translated by Sean Lin Halbert
- UNIVERSAL TONGUE by Anouk Kruithof
- THINGS REMEMBERED AND THINGS FORGOTTEN by Kyoko Nakajima; translated by Ian McCullough MacDonald and Ginny Tapley Takemori
- MONSTERS IN SUITS by Nicolas Frey
- GIRL ONLINE: A USER MANUAL by Joanna Walsh
- KANAVAL by Leah Gordon
- LET US BELIEVE IN THE BEGINNING OF THE COLD SEASON by Forough Farrokhzad; translated by Elizabeth T. Gray, Jr.
- COLD ENOUGH FOR SNOW by Jessica Au
- A SHEET PAINTED BLUE by Lewis Ronald
- SOUVENIR by Michael Bracewell
- THE BLOATER by Rosemary Tonks
- FIFTEEN WORKS by David Hammons edited by Kwamé Sorrell
- YI SANG: SELECTED WORKS by Yi Sang, edited by Don Mee Choi; translated by Jack Jung, Don Mee Choi, Sawako Nakayasu and Joyelle McSweeney
- NINTH BUILDING by Zou Jingzhi; translated by Jeremy Tiang
- WHY OMAHA? by Darius Koehli
- CHINATOWN by Thuận; translated by Nguyễn An Lý
- DECEIT by Yuri Felsen; translated by Bryan Karetnyk
features
fashion
talks
- PANKAJ MISHRA: "What happens to human beings when a vital stage in their growth and upbringing disappears completely?"
- MARGARITA GARCIA ROBAYO: “The middle class is implicated in the failure of our society to find room for everyone”
- SHARON LOCKHART: “I see the cyanotype paintings as containers of light, as well as time”
- TOM MILLS: “The 'common-sense' idea that markets bring innovation and creativity is complete nonsense”
- DAISY HILDYARD: “There are so many different ways of experiencing desire or of being invaded by another being”
- TOTO BERGAMO ROSSI: “Everybody should have the chance to come to Venice”
- NUAR ALSADIR: “I wrote this book as I would write poetry”
- TOM DE FRESTON: “Ultimately, I don’t even believe that the individual exists”
- JENNIFER VENDITTI: “The key is the human story”
- PATRICK GALBRAITH: “Birds are deeply embedded metaphors”
