fronting

• PARIS MATCH: photography by Thierry Van Biesen
• SAVE ME FROM WHAT I WANT: by Tom Morton
• V MALE: by Daryoush Haj-Najafi
• YES LOGO: art by Daniel Pflumm
• QUITTING: Adam Alphabet is features editor of music magazine Play Louder, a rapper and member of cult band Crack Village. At the old age of 22 he’s decided to quit the society of the spectacle
• PULP DICTION: Dictionary by Sam Winston
• BELIEVE IN SOMETHING WHY NOT BELIEVE IN ME: Philadelphia-born sculptor Steven Gontarski’s latest work was recently shown at the Karyn Lovegrove Gallery in Los Angeles under the exhibition name Prophet. there’s a reason for the name, as he tells Lo­­tta Volkova
• LESS ORDER MORE CHAOS: Thai artist Rirkrit Tiravanija talks to Gavin Wade
• SUNNY SIDE UP: photography by Kate Plumb
• SWEET SEXCESS: bored by the mantra of more and more lessness? then turn up the heat Joris Laarman style
• OISN: Los Angeles-based artist Jim Shaw is known for depicting his dreams. now he’s invented “Oism,” his own religion
• NEEDLE AND SPOON: why shouldn’t boys sew
• LIGHT YEARS AHEAD: Cerith Wyn Evans by Agnieszka Kurant
• EYE AM THE MAN: Karl Lagerfeld on fashion, photography and publishing
• MATES: ribbed for her pleasure. photography by Jason Hetheringotn
• SOCKS THAT ROCK: photography by Ali Mobasser
• CLASS ACTION: photography and styling by Sean + Seng
• LIB LAB PACK: fashion for you me and other French people
• BREATHLESSLY: It’s 1959 and Jean-Luc Godard decides to make his first feature film on the cheap and on the quick. Colin MacCabe tells it like it was during the making of a New Wave myth
• YOU CAN DANCE: photography by Anne Deniau
• THE BIG BAG THEORY: photography by Bela Borsodi and Paul Graves
• SOUND GARDEN: what is the colour of architecture when it is drawn to be heard
• THE BIRDS: by Susan Oberbeck
• SPOT THE DIFFERENCE: do cow markings have a message? the answer could lie somewhere in the Swiss mountains. Gerhard Lang on cows and insanity