TANK MAGAZINE | The Entertainment Issue | Issue 92 | BUY THIS ISSUE
fronting
- EDITOR’S LETTER: Sillyvisation
- MANIFESTO: a fashion shoot
- DIAMONDS AND PEARS: photography by Hannah Rose
- MOTION BLUR: photography by Hubert Crabières, styling by Marie Gibert
- EN POINTE: photography by Can Sun, art direction by Alice Ray
- ALPINE EXTREME: photography by Josh David Payne, styling by Megan Mandeville
- STILL LIFE: photography by Luca Trevisani, styling and creative direction by Sofia Lai
- HEAD OVER HEELS: photography by Maxime Bony, styling by Veerle Formannoij
- THE NEW TRINITY: photography by Jackson Bowley, hair by Moe Mukai
features
- FLASH FICTION: Nothing New by Marieke Lucas Rijneveld; translated by Michele Hutchinson
- GOOD ENTERTAINMENT: the evolution of action and inaction. By Joe Kennedy
- WE DON'T NEED ANOTHER HERO: epics from ancient Greece to the Marvel Cinematic Universe via Siberia. By Justin E.H. Smith
- LATE SUMMER, EARLY AUTUMN: photography by Takashi Homma, styling by Shotaro Yamaguchi.
- MUSIC AND TRANSCENDENCE: text by Finlay Clark, art by Krish Raghav
- STOLEN GLANCES: ways of seeing and the rhetoric of porn. By Asa Seresin
- NET WORKING: photography by Xiaopeng Yuan, styling by Zinn Zhou
- INFOTAINMENT: newsroom design as architectural entertainment. By Oliver Salway
- A HUNGRY ECONOMIST: academic and best-selling author Ha-Joon Chang raises the public's appetite for economics
- THE OFFICE OF GOOD INTENTIONS: the pleasure and play of the world of work
- THAT'S LIFE: the triumph and tragedy of the real-life gossip weekly. By Nell Whittaker
- ALTERED IMAGES: photography by Daniel Clavero, styling by Alicia Padrón
- EDUTAINMENT: the radical utopian spaces of "kidsland" captured by Ursula Schulz-Dornburg
- SONGS OF BEAUTY AND SORROW: K-pop and soft power in contemporary South Korea. By Sammy Lee
- MOMENTO: photography by Chus & Greg, styling by Kieran Kilgallon
- MONEY SHOT: re-narrating There's Something About Miriam. By Izabella Scott
- FIELDS OF GOLD: photography and performance by Isabelle Wenzel
- I WAS MAD AT THE TIME: the grace and violence of Harmony Korine and Buster Keaton. By Philippa Snow
- CURATED: Isabelle Utzinger-Son
- RIDING HIGH: photography by Nicolas Haeni, styling by Riccardo Linarello
talks
- GEOFF DYER: “writing is an inherently inefficient thing; you can’t answer the questions in advance”
- EDA BERKMEN: “we can’t know if plants are dreaming”
- HANNAH BLACK: “a riot is an expression of the possibility of collective happiness”
- JENNY ERPENBECK: “the idea that people should pass on knowledge altruistically and not because they want its recipients to work for their companies has become unfashionable”
- JERRY GOROVOY: “the work is almost like a symptom – it’s an expression of the fear, but also a form of self-cure”
- EMILY BERRY: “I am very uncertain as to whether writing has a therapeutic function”
- DAVID TEH: “we’re not a collective; we’re just collaborating”
- ARIFA AKBAR: “even after someone dies, your relationship to that person keeps changing. It doesn’t stop; it doesn’t end”
- SIDSEL MEINECHE HANSEN AND JOANNE ROBERTSON: “we were almost inventing a new sort of language, which came out of our friendship”
- MICHAEL LEGGO: “little did I realise the monster I’d spawned”
